working with Willie Pike, Willie Curley, Dan Brown, Scott Lyle – that was the pastry section which was very, very strong. Dan Brown with the marzipan work and finesse; Scotty was a great all-rounder; Curley was chocolate and desserts and other desserts were myself and Willie Pike; one of the great all-rounders in the country. So you had a right hub of talent there that I could feed off and the idea was you did four years there, then went up and did another four years, worked the cycle and gradually went into the team.
How important are competitions for pastry chefs to get their name out there and showcase their creations?
I think it's highly important. You take Ruth Hinks doing the World Chocolate Masters – she came fifth in the world – she's now got the name out, especially up here.
La Potiniere is known for its pastry, but how hard is it to keep your eye on the pastry when you've got to manage the restaurant as well?
It is hard. I wouldn't say the restaurant is known for the pastry - the restaurant is known for the (savoury) food as well - but we do get a lot of comments about the pastry. Because we use part-time staff out the front, if during the week we are by ourselves we have to gear it so Mary can put it up quite easily. The technique is in the production, the plating is quite easy.
So you've got to work around the fact that there's only going to be two of you in the kitchen sometimes?
Yeah. There is a certain amount of restriction so we've got to be clever about how we do things.
And how would you describe your own style?
Oh, hell!
Is it changing constantly or do you go back to certain flavours and combinations?
There's developments all the time. We've done certain desserts that you can't change, but you change how you put it together – the structure is there. Basically I try and work on flavours that I know go together, as in tropical things.
I try to work seasonal. Like this year the strawberries – I didn't really touch the strawberries because I didn't think they were that good; they weren't lasting, there wasn't the flavour there so I didn't touch them.
And do you pay close attention to trends within pastry?
I do. I try and scan everything. I've got a lot of pastry books here. I get the Journal de Patissier every month as well.
There are certain things I'm not sure about. These 'soils' – I'm not exactly overly impressed with that and they look quite dry on the plate. That's my feeling – and it doesn't mean it's right by any means.
But I do try to keep up with the trends as such. And trend in inverted commas!
And when you are developing a new dish who is it that you go to for feedback? Is it your wife, does she tell you if she doesn't think it is up to scratch?
Oh she'll tell me that! Generally speaking, she's got a very acute palate, for tasting combinations and intensity. But I also, I mean, if I know a certain person is coming to the restaurant I will try it out and say, 'right, this is the first time I am doing this, give me your honest opinion of what you think'.
What did it feel like to win Patisserie Chef of the Year?
It took quite a while to sink in to be honest with you. I really didn't fancy my chances at all, so I got a huge shock when they read my name out. What was really nice about that was that Brian Cotterill was there that night as well and that made it extra special for me – it'd been extra special if Ron had been there as well. Brian came up and said: 'You old bastard, well done!'
And I suppose nights like that make the long hours and lonely life as a pastry chef worthwhile?
It certainly does. But it's a job that you've either got a passion for and enjoy, or there's no point in doing it.
The top 5 desserts:
1.) Apple Charlotte with creme chantilly
2.) Apricot & almond tart with Amaretto ice cream
3.) A good creamy warm rice pudding with a good seasonal fruit compote & ice cream
4.) Any dessert with Passion fruit
5.) A really good delicate Panna Cotta, delicate crisp tuile& fresh seasonal fruit