James Sommerin is the Michelin star winning Head Chef of The Crown at Whitebrook, a restaurant with rooms located south east of Monmouth in Monmouthshire, Wales. The restaurant was awarded a Michelin star in 2007 and has kept it ever since. James’s love of cooking started as a child, when he would bake every Saturday with his grandmother in Caerleon.
He credits her as his biggest influence. “When I was a child I would stay over and every Saturday we would cook for three to four hours,” he says. He wanted to be a chef from the age of 12. After school he did formal cookery training and then worked at the Farleyer House Hotel in Aberfeldy, Scotland where he says chef Richard Lyth taught him pretty much everything he knows. He moved back to Wales in his early 20s and joined The Crown in 2000 as Sous Chef, before becoming its Head Chef in 2003. He also represented Wales in the final of the BBC programme Great British Menu in 2009.
James Sommerin thanks for inviting us in, wonderful to come and see you now that I've found you through all the lanes. Give us an overview of the Crown at Whitebrook, what you've got here, your accolades, number in your team, how long you've been here?. I've been heading up the team here now for the past seven years, five of which we've held a Michelin star.
Fantastic congratulations. And we've just been awarded three rosettes so that's something else which is even better here at long last.
Fantastic well done. We've got three rosettes and we're rated number 28 in the top 50 of the Good Food Guide, seven out of ten score. It’s really nice, it’s a very intimate little restaurant and we've hopefully got eight in the team but staffing issues are obviously up and down.
Do you have rooms here James? We've got eight bedrooms and we seat mid to high 20s for dinner. We could seat 30 but 30’s a little bit tight. So we have nine tables in the dining room and we have a great team at front of house that's basics and it’s all about non-stuffy dining, relaxed informal, serving great food and just exceeding everybody’s expectations.
Now my guestimation is you’re in a very food-led area here, you’re very close to Abergavenny, wonderful, wonderful Welsh produce, my guestimation is that's quite key and instrumental in your menus. Yeah when I'm designing a menu we try to use as much local produce as possible but obviously it’s quality over locality really so we use the length and breadth of the British Isles, as Wales is not renowned for its scallops or for its langoustines so we look further afield but it’s definitely food driven. I try to use as much local produce as possible so it’s about 90% on the menu locally.
No one likes to pigeonhole their food style but if you had to pigeonhole it what sort of genre, how would you describe your food style? I think it’s really hard to pigeonhole any type of food now, everybody’s used the term modern British but what is modern British? It’s worldwide, your larder cupboard is endless. I'd like to say modern British and it’s got a good Welsh influence but purely more for the quality and the locality of ingredients.
So quality is more important than locality for you? 110% yeah quality’s paramount.
And in terms of you who’s been your biggest influence in your career to date? Two people really the biggest and most influential person in my career was a guy called Richard Lyth who I worked for when I was in Scotland, nothing special, you know, but a fantastic chef and his qualities were second to none.
What made him a fantastic chef? Depth of knowledge, strict attitude, proper work ethics really and I learnt everything, all my basics there. So from being able to prep whole deer to all the fish and everything else. So very well rounded. And your second one? My second one is my grandmother really because if it wasn't for her I probably wouldn’t have got into the trade, you know, just for being able to…
What she kicked you out of home did she and you had to find a job? ((laughs)) No well my Gran was just…we used to go and stay at my Gran’s on a weekend and she used to cook. We used to cook together and that just spurred it from there. So she's the one that got me into the trade, I don't know whether that's a good thing or a bad thing but yeah she's the other biggest influence.
Give us an example of a current dish on the menu that best sums up your cooking. That's quite a tough one actually. I suppose we've got things like such as an aged fillet of beef that we have aged for five weeks. Wow. Yeah it’s local and then we try to age it for a further sixth week. It just depends, usually the butcher can guarantee it’s a minimum of four…
So that's 40 odd days? Yeah. Wow. The fillet comes in roughly on average four weeks aged and then we try and hang it for a further week. The depth of flavour is amazing, it’s fillet but it’s not like eating normal fillet because it has flavour.
Although fillet is often very, very tender it doesn’t always taste of something. This has actually got a good gaminess to it.
Which is brought about by the over hanging is it? Yeah and it’s stunning. We serve that with local watercress. It’s just a purée. We make a little horseradish and thyme potato, it’s a bit like a dauphinoise that we slice, no cream, cooked in butter and then we serve it with some sweetbreads and just some local vegetables. So it’s a really, really nice dish, it’s very fresh but it’s really hard because we get some fantastic Welsh fish as well. We've got amazing sea bass on and turbot and turbot for me is such a fantastic fish and served with simple things like cauliflower, bone marrow and samphire and fresh Scottish girolles.
How many menus do you run here then James? Well we run a light lunch menu, which is really cost effective I suppose for